Denver School of Rock

Recently I had the opportunity to do a short piece on the Denver School of Rock “Psychadellic 60s” concert. I looked at it as an opportunity to (a) test out my new Canon XA10 video cam in about as bad a lighting condition as I’m likely to find, and (b) focus on telling the story through individual characters.

I chose Erica as the center of my story. Erica is one of the School of Rock bassists, and quite an accomplished musician. Even though she’s shy, Erica’s personality lit up when we spoke about the School of Rock and the upcoming concert. It was fun to film that enthusiasm and passion. I used Erica’s narration to pull the viewer through the story (although not exclusively – I also added a 2nd narrator), hoping to convey some of her enthusiasm. I also asked Erica to play a bit of the bass line to a song that she would play in the concert, with the plan to use that solo base line as a transition from interview to concert setting.

At about the same time I did this School of Rock video I was also doing a separate photo shoot. Oddly, I found that I really enjoyed the photo shoot and found the School of Rock production slightly, well, more like … work. I thought about that. The specific drag relating to film/video fell into 3 categories:

  • Spontaneity – the beauty of still photography is that, in many cases, you can “wing it” in a shoot and come out with some very satisfying results. In fact I’ve done shoots where I carefully planned out most of the shots, then did a burst or two of some new seat-of-the-pants stuff which far surpassed all the careful planning. It’s often very enjoyable to just grab a camera and see what you can come up with. Film doesn’t lend itself to “winging it”. Film requires much more planning and pre-production effort. And that can start to feel like, well, work.
  • Post-production – rendering my video files, in particular, was painfully slow. I would lay a few selections in Final Cut and then launch a render cycle which would often take 20-25 minutes. Ouch. That really extended the time I needed to put this film together.
  • Volume/quality trade-off – I didn’t notice this as much in this production, but when stringing stills (vs. video footage) together with audio into a 3-4 minute film, it’s frankly difficult to come up with enough still photographs that are both high-quality and also move the storyline forward. There’s a struggle between dropping in enough images to retain the viewer’s attention and maintaining the variety and quality of those images (i.e., avoiding less-interesting photographs as fill)

Bottom line: there are some inherent trade-offs when using different media. Film requires more planning, more discipline, longer post-production time — but may have the inherent value of facilitating a richer, deeper, more complex story. It also has the inherent weakness of requiring time to consume (and the consequent requirement of maintaining an intriguing flow of images and sound to keep the viewer engaged).

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